WYLTTA? Title Tokens 00

Production deck

Would You Like To Try Again?

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THE LOGLINE

In order to receive her estranged father’s inheritance, a young woman must beat a mysterious arcade game that replays her biggest past regrets as levels to overcome.

A fantastical sci-fi character drama where
Tron: Legacy meets It’s a Wonderful Life.

A child’s face reflected in a glowing arcade screen

SYNOPSIS

Melvin Hill is dead. An electrician by day, an arcade owner by night, he leaves behind a trove of machines in a remote arcade in the middle of rural Georgia. His wife and executor, Bethany, carries out his final wishes and leaves the entire arcade, machines and all, to Melvin’s estranged thirty-something daughter, Victoria Hill. The only catch: she has to complete a series of tasks in the arcade over the course of 24 hours before it is completely hers.

A lone figure framed by a glowing neon arch

Vicky wants absolutely nothing to do with her father, for reasons she keeps close to the vest. She reluctantly accepts the job of one-day warden, knowing full well she’ll sell his entire legacy to the highest bidder to clear her debts and run away as soon as the ink dries.

A close-up of a woman’s face lit in pink and violet neon

But over the course of one night, Vicky stumbles upon something she never expected. In the back sits an old, nameless arcade machine that simulates a player’s old regrets as levels to beat. Equipped with hindsight, Victoria plays her past regrets in hopes of winning closure and catharsis. Yet what she discovers is a journey deeper into her family’s past than she ever expected.

A neon-lit arcade lined with pinball machines

A wish-fulfillment odyssey that soars to euphoric highs and tragic depths, Would You Like To Try Again? is a magical realism film that examines, prods and peels back our deepest regrets as puzzles to solve for troubled hearts. It should inspire endless conversations about what we’d change in our past if we could just put one token in the machine and get another chance to try again.

A glitching video image of a woman’s hair breaking into pixels

DIRECTOR’S STATEMENT

A dreamlike pixel-art landscape with waterfalls
Michael

My two loves in life are movies and video games. They’re both visually driven mediums. They both take over your senses to immerse you in worlds you’ve never seen before. They both engross you in stories with characters you fall in love with. They’re both empathy machines that help you understand what it means to be human. Also, they’re fun as hell. There’s something in the center of this Venn diagram I’ve always wanted to explore in a movie: why do I feel so deeply when watching a movie or playing a video game? Really transcendent games and movies make me think about my own life. What I’m proud of, and what I’ve done wrong. The regrets I still wrestle with to this day, that stick to me like a level in a game I can hopefully beat, if I can just do this one thing differently or say the one thing I never said. The biggest regrets go back as far as I can remember, to when my family wasn’t happy. When they fought. When they screamed. When they threw things. When they said things they couldn’t take back, and can’t take back now, no matter how hard they try.

Two people sharing a tender, smiling moment
Michael

Don’t we wish we could all just go back, do things a little differently, and gain closure from that moment? Or better yet, go back knowing what we know now, and try to understand someone a little more, so we can forgive them and ultimately forgive ourselves?

Would You Like To Try Again? is for anyone who has…

– Michael Felker

Two women leaning close at a violet-lit bar

CHARACTERS

Select a player

Mood references

A distorted CRT image of a hand on a red scan-lined screen

THE TEAM

Michael Felker

Director, writer, producer

Michael Felker

Michael’s award-winning feature debut, “Things Will Be Different,” premiered at SXSW to critical acclaim and hit the top 5 on Hulu on release. He’s also known for his editing work on Rustic Films’ “The Endless,” “Synchronic” and “Something in the Dirt.” Michael and Shane run the production company Last Life.

Shane Spiegel

Producer

Shane Spiegel

An Emmy-nominated, CLIO award-winning producer with over 10 years of experience. Shane has produced TV for NBCUniversal, DreamWorks and Nickelodeon, and produced “Things Will Be Different” for Michael Felker in 2024. Shane and Michael run the production company Last Life.

Riley Dandy

Actor, producer

Riley Dandy

Riley starred in Michael Felker’s “Things Will Be Different” and gripped audiences as Tori Tooms in Joe Begos’ “Christmas Bloody Christmas.” She has five films in the pipeline this year and is premiering “Godmother,” produced by Jacksepticeye, at Fantastic Fest. She loves this story and is thrilled to develop it from the ground up.

Carissa Dorson

Director of photography

Carissa Dorson

A longtime Felker collaborator and DP on “Things Will Be Different.” Carissa has lensed films that premiered at Tribeca and stream on Netflix, plus “It’s a Party” (Showtime), “A Little Late with Lilly Singh” (NBC) and “The Boulet Brothers’ Dragula” (AMC+). She’s also operated camera on “Hacks” (HBO), “Better Things” (FX) and “The Comeback” (HBO).

Rustic Films

Executive producers

Rustic Films

Rustic Films champions indie genre projects like “Synchronic,” “The Endless,” “Something in the Dirt” and “Things Will Be Different.” Partners David Lawson, Justin Benson and Aaron Moorhead are an integral part of the independent sci-fi thriller space, and Benson and Moorhead co-direct titles like “Daredevil: Born Again,” with films premiering at Sundance, SXSW and TIFF.

Jimmy LaValle

Composer

Jimmy LaValle

Jimmy has scored almost all of Rustic Films’ projects and many more, with films premiering at Sundance, TIFF, Tribeca, SXSW, Hot Docs and Fantastic Fest. Notable titles include “Lovecraft Country,” “Into the Dark” and “Things Will Be Different.”

The production company of Michael Felker and Shane Spiegel.

PAST COLLABORATIONS

“Things Will Be Different” (2024)

Everyone in the cast and crew of “Would You Like To Try Again?” first worked together on “Things Will Be Different” back in 2023. With a fraction of this budget, everyone here made a scrappy, twisty sci-fi thriller in just 16 days with a crew of 20. We navigated through lost locations, crippling COVID outbreaks, devastating winter storms, and two industry-wide strikes that almost shut down this production multiple times. But with this crew’s talent and perseverance, we made the movie in one year, premiered the film at SXSW in 2024, signed on XYZ after one sizzle reel, sold to Magnolia Pictures in a tough indie market, released in theaters worldwide in October 2024, and premiered in the top 5 on Hulu in February 2025. From script to streaming, we made “Things Will Be Different” in just two years, and we all can’t wait to make an even better film together again.

Achievements unlocked

  1. 16 daysShot with a crew of 20
  2. Boss battlesLost locations, COVID, winter storms, two strikes
  3. SXSW 2024World premiere
  4. Magnolia PicturesSold in a tough indie market
  5. Oct 2024Released in theaters worldwide
  6. Feb 2025Top 5 on Hulu
Riley Dandy and a bearded man holding rifles in a dark hallway, from Things Will Be Different
Two people with duffel bags facing a cornfield, from Things Will Be Different
Riley Dandy looking over her shoulder in warm light, from Things Will Be Different
A bearded man in a cap in front of a yellow farmhouse, from Things Will Be Different
A blue signal waveform on a dark screen

LOCATION

Select a stage

A cluttered small-town convenience store
Stage 1, home baseAustin, Texas and surrounding areas

Other Potential Filming Locations

Two people sitting against a clapboard wall
A boy in glasses beneath a glowing THRILLS sign in an arcade
A silhouetted head behind ribbed glass against an orange sunset

BUDGET

Low end

$1.2M

20 filming days

High end

$1.9M

25 filming days

We’ve scoped a lean, streamlined approach. By shooting in real locations and adopting our chosen city as a true backdrop, we keep art design, props and rentals efficient. A little over half of our production days will be spent in the arcade; the rest will make the most of houses, storefronts and office spaces for our many cutaway scenes. Our crew and resources will be bigger this time to tell a bigger story, but as we showed on “Things Will Be Different,” we know how to get the most out of a crew that’s just the right size. Pre-production and post-production teams stay as lean as possible while making sure we have everything we need to tell this story.

CONTINUE?

Would You Like To Try Again?

Would You Like To Try Again?
A film by Michael Felker